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EUCALYPT BANJOS

THE JARRAH AND CUSTOM RESONATORS
There's lots of images here, go make a coffee or have a beer.

Here's a rogues gallery of just a few of the resonators we have made for both Jarrah banjo owners and Custom banjo owners. All of these are now out there as complete Eucalypt Banjos being played by their owners.

Remember, we can work from your suggestion (perhaps a photo or painting) or create something from scratch.

Click on the thumbnail for a bigger view :-

jarrah.JPG (41895 bytes)

THE 'JARRAH' RESONATOR
Here's the resonator from our most popular, or standard banjo. Book matched Jarrah veneers (others available, ask what we've got) are highlighted by a centre stripe of decorative inlay. In this shot you can just see the abalone dot we put in the heel of all out banjos. A nice touch.

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THE 'DAINTREE' RESONATOR
This one belongs to Wendy Holman of Fingerstyle fame and represents North Queensland's Daintree Rain Forest, now a World Heritage area. The Daintree river, orchids, ferns and vines are all featured.

kakadu_resonator.jpg (38545 bytes)

THE 'KAKADU' RESONATOR
Here we have the famous Kakadu National Park lilies set against a stunning burl veneer. I just love this one, so did the owner.

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THE 'GHOST GUM' RESONATOR
This is on my own banjo, sorry, you can't have it. There are 80 falling leaves made from differing veneers individually cut in. Anne started speaking to me again in, oh, let me think, two weeks after she had finished it.

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THE 'STONE THE CROWS' RESONATOR
This one now lives in the United States and features an Australian desert scene complete with rocks, the desert, the endless sky and, of course, the crows.

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THE 'GRASSLANDS' RESONATOR
Here we have the dry 'red centre' of Australia together with the scrub grass and twisted Gum tree trying desperately to survive.

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THE 'FLAT OUT LIKE A LIZARD DRINKING' RESONATOR
A bit hard to explain but it's an Australian phrase referring to how busy you might be. Here's the drover having a sleep by the Billabong pretending to be 'flat out like a ........'

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THE 'HARD TIMES' RESONATOR
In memory of the hard times experienced by so many of the early settlers. Here we see a deserted farmhouse in the Australian Outback.

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THE 'ONE HORSE TOWN' RESONATOR
 Some Outback folk refer to their own town as a 'your typical one horse town mate'. Here it is complete with rocks, a gum tree, a couple of houses and yes, one horse.

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THE 'SILVER BRUMBY' RESONATOR
Australian wild horses are called 'Brumbies'. Atop a mountain our Brumby looks at the Southern Cross. Gum leaves and branches twist up towards the horse.

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THE 'LONG PADDOCK' RESONATOR
Drovers often take their sheep or cattle onto the roadside verges to graze. This is nothing more than a long, thin, paddock or, simply, 'the long paddock'. In this one the drover and his sheep work their way along an endless long paddock.

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THE '1066' RESONATOR
A panel taken from the Bayeux tapestry and adapted to marquetry. Note the first Earl of Scruggs exiting stage right. 

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THE 'WEDGE TAIL EAGLE' RESONATOR
This is the largest raptor in Australia - the magnificent wedge tail eagle. Individual feathers are cut, shaded and inlaid against a background of native olive wood and tiger stripe myrtle. 

Mt NEbo resonator web.jpg (42106 bytes)

THE 'Mt Nebo' RESONATOR
Inspired by the high forests and mountains, this was the first resonator designed after the move to Mt Nebo. This banjo was played by Jack Hatfield in his 2004 Australian tour. The banjo now lives in New Zealand.

Strangler web.jpg (35418 bytes)

THE 'Strangler Fig' RESONATOR
This resonator was designed to complement a pearl fingerboard of the magnificent strangler figs of the Boombana section of the D'Aguilar State Forest. It is a combination of marquetry and pearl inlay.

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 THE 'Bangalow Forest' RESONATOR
This resonator was designed around the Bangalow palm tree  understorey of the rainforest at nearby Mt Glorious. It features a tiger-stripe  myrtle background, the trunks of tall eucalypts and the network of palms in the spaces. 

Lonesome pine web photo.jpg (39787 bytes)

THE 'Lonesome Pine' RESONATOR
Background of  figured Tasmanian blackwood and goldie wood with a solitary pine tree upon a rocky outcrop. 

Boabab web picture.jpg (45091 bytes)

THE 'Boabab' RESONATOR
Created for an owner who requested a design incorporating this magnificent tree. Background is myrtle burl veneer and the sun and water are quilted Queensland maple.  

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THE 'Fighting Camels' RESONATOR
This unusual design was requested by an owner who ran camels on his property. Camels fighting try to bite each others feet, as depicted here.   

THE 'Eucalypt Standard' RESONATOR
If you saw the Jarrah resonator at the top of the page here's an alternative if you order a Eucalypt standard banjo. This one is Queensland Maple Burl which we have in limited quantities, it's quite hard to get hold of folks.

THE 'Leah' RESONATOR
Here's the one showing a profile of the owners 10 year daughter Leah. It started off when the owner gave us a painting of Leah from which we worked using ebonised Jarrah (the dark bits) and cheesewood for Leah's profile.

 

THE 'White Heat' RESONATOR
This is from the 'White Heat' banjo with the resonator and neck being made from Australian Silver Ash with black bindings. A fabulous banjo in every respect, Jack hatfield has one in stock.

 

THE 'Peace Rose' RESONATOR
This one, the 'Peace Rose', features Roses inlayed into the back. The photo was taken in Jack Hatfield's front yard.

ANNE AND HER MARQUETRY

anne inlaying.JPG (26600 bytes) Here we see Anne working on 'The Long Paddock' resonator. She starts with the blank and lays the background down first. The actual picture (trees, leaves, grasses, birds, people, etc) is made of of hundreds of small pieces that are individually prepared. These are then cut in flush with the background before turning over to me for final finishing.  See Marquetry page for more details.

THE ART OF
MARQUETRY
by
ANNE SIMPSON

anne inlaying.JPG (26600 bytes)

Shown above is Anne working on 'One Horse Town', a banjo now living in Sweden.

If you want to know how it's done go to our marquetry page where Anne has written a brief description of the technique she uses. There's a link to the page at the bottom of the resonator pictures section on the centre of this page.

 

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